The busier the better that is. I like textured knits the same way I’m attracted to prints rather than solid fabrics.
Yes! I have finally finished this one! I started working on it just before the new year and I worked almost two months on it. But only this bank holiday weekend I got around hand sewing the button bands.
I got the horn buttons from Kleins. The salesman was very nice and showed interest in my cardigan. I’m not sure if it was for real or not, but he was friendly and helpful and I ended up buying more items than I intended to. :)
The pattern is an Amy Herzog design and I enjoyed making this so much! It looks complicated at first, but I memorised the stitch patterns in no time. I used Cascade 220 (a lucky find on ebay, I still have some left plus another 800g in a deep purple heather) and made a few changes:
- my gauge was different, I had 17 st/4″ instead of 18, so I knit a size smaller
- my row gauge was different too so I made the decreases/increases every 6 rows instead of 8
- I changed the neckline to a V neck as I think it goes better with everything (I find my Miette is really difficult to wear because all my dresses have a high neckline)
For the V neck I started decreasing at the armhole, placing the decreases at the side of the lace pattern. This made the v neck go from the armholes to the center, but seaming the shoulders and blocking gave it the correct shape.
You can still see it a bit when it’s unbuttoned.
But it’s no biggie, I don’t mind it and I’m sure no one will notice. :)
Do you have a neater way of sewing buttons on your knits? Do you hide the loose ends somehow?
This was going to be my Christmas dress. Early in December last year I’ve found this fabric on ebay, immediately bought it and then stumbled upon a lovely kitty dress. Fabric aside (gorgeous but sold out everywhere), I loved the skirt pattern – pleated, not too full and inset pockets.
It’s been too long since I started working on it, so I don’t remember why I jumped at changing the pattern so much without making a muslin first. I probably based my actions on measuring the pattern.
I started out tracing size 12 – the biggest in the range I had and made quite a generous FBA. You can see that I added half of it at center front and half in the side panel.
I’ve shortened the bodice 1/2″ above the bust, something I’ve done a lot in the past but I’m starting to question that alteration. It worked in the past but now it seems unnecessary, maybe because I put on some weight and I need more fabric in that area?
I removed a wedge form the front neckline to compensate for the width added at CF and I guess that’s causing all the drag lines radiating from my neck. I didn’t take a picture of the pattern after that, but you can see it in this photo evidence of my son helping me out.
Ok, so how did all these changes work out? BAD! I had to try the bodice several times and adjust the princess seams. The curve on the seams was too high on my bust and I had to take in a lot. Clearly, I went a bit overboard with my FBA.
So I had this done before Christmas, it only needed a zip, hem and bindings, but I didn’t have energy to finish it. Then we had guests until the new year. Then I started to question my choice of fabric – I was worried the fabric was too stiff (wax print) for that skirt and I will loo like a big red and yellow pouf. Until this weekend when I decided to finish some of my UFOs before they get out of hand. And I’m so happy I did! I think the skirt looks great. It holds its shape due to the stiffness of the fabric, but is not too full.
Let’s talk about print placement. I don’t remember thinking about anything else than “keep the rows even front to back”, and I did that. Horses are on the same level across both sides of skirt and bodice and are consistently running up or down. But the fact that the horse are running just above and not exactly on my bosom it’s pure luck. It would’ve been more lucky if the horses weren’t legs up, but we can’t have it all, can we?
Do you have any unfinished projects? Do you get excited about new projects and start everything, or are you disciplined and always finish one before starting another?
Everybody must be waiting for spring. Are you? I know I am.
I had my eye on this Liberty print since last summer, it was love at first sight. A month ago I finally decided it’s time for us to be together so I ordered 2 meters from White Tree Fabrics.
Initially I wanted to make a shirt, but after my last make in plaid I needed something easier, quicker. And I think this pattern works a lot better with the fabric. The pattern is a mash up of two Burda Magazine tops, both from the 10/2011 issue.
The big sleeves wouldn’t work with cotton, so I used the more modest sleeve from pattern 114, omitting the sleeve openings. I’ve also decided to loose the ruffle because:
- I’m too short to wear so much fabric
- Who has the time to iron that thing?
I went up from 38 to 40 in Burda sizes lately, but I found that 38 still fits better on my shoulders so for this top I used 38 above armholes and 40 below. I used 38 for both the sleeve and the amrscye, but the armscye of 114 was longer than 121, so I ended up with a few gathers on top of the sleeves. I don’t mind.
I shortened the pattern only at the bottom, the waist is almost spot on. I wonder how this would work on someone who’s a normal height. I’m guessing the waist would be too high :)
Something that wasn’t mentioned in the instructions but I did anyway is to top stitch the ties. I have two dresses with similar long ties that are not top stitched and it’s a pain to iron them after washing.
FUN FACT (I’m starting to like this :) ) – I’ve entered a competition with this blouse on a Romanian forum and I won! Yay!
FUN FACT 2 – If you’re in the UK and have watched “Cucumber”, you might have noticed Henry wearing a shirt with the same print
And a final P.S. This is not a White tree project, I bought the fabric this time, but you can still use “LIVING ROOM” at check out to get 20% discount and free shipping.
I was watching Pamela Howard’s shirt class on Craftsy and she was saying that you shouldn’t make your first shirt out of plaid fabrics. Or stripes even. Admittedly, this is not my first shirt. I’ve made the JJ before, it had button bands, continuous sleeve plackets and a mandarin collar. I’ve also made an Alder which has a proper shirt collar. See? This shouldn’t have been a very difficult project.
I used a pattern from Burda 03/2015, size 38. It’s the one for the crazy show-me-your-right-hip shirt dress, but quite obviously I chose to make it a basic shirt using the JJ for length and hem shape. The shoulder are dropped – not something I usually go for, but I thought that it’s a good choice for a relaxed shirt. Now, even though the shoulders are dropped, the sleeve head is very curved, I’d say it has the same shape you’d see in a normal shirt. I was too lazy to go back to the pattern to check, but it’s easy to see there’s too much fabric there.
The fabric. The fabric! I think this is what is called double gauze, because it’s gauzy and it’s double. Really, it has two very light layers of fabric held together by crosswise lines of stitching. It’s spongy and it doesn’t behave, not even under steam. I pressed the hell out of it, but it always sprang back to its spongy nature. It’s even more obnoxious when cut on bias. But that didn’t stop me from cutting lots of pieces on bias, trying to center the crossing orange lines where possible.
- one back placket
- two button bands
- sleeve plackets
Do I have to say that I had to cut each individual piece at a time, just to make sure each is perfectly placed? That applies to the fronts, back and sleeves as well, as I wanted to make sure the horizontal lines match everywhere.
I’ve put a lot of thinking into this and I’m happy with how it came out, but there are a few things that I could have done better:
– interface the button bands. The class and the pattern instructions say you don’t need it, because you already have 3 layers of fabric. But my fabric is light and spongy and totally nasty on bias and the edges curve slightly.
– I patiently block-fused a piece of fabric for the collar and stand. I didn’t realised I placed the interfacing on the right side of fabric until I finished fusing. I used it anyway for the under collar and stand.
– align the obvious black stripes on the collar. The squares on the fabric are more like rectangles, so even though I chose the black line as my center back, the corners of the collars ended up with a different pattern.
– I cut the stand in the wrong direction. See how the black narrow line is on the other side?
None of these bother me too much, but I thought it’s worth mentioning. For posterity :)
I’ve never made tower plackets before and I dreaded them. They weren’t very difficult. I can imagine making them in a crisper fabric cut on straight grain would be a piece of cake.
It was a first for flat felled seam as well for me. I’ve done mock flat felled on the JJ before, but this was the first time I’ve done the real thing. I did it only on the armhole seam though. By the time I got to doing the side/sleeve seam, the fabric was too frayed to have enough to flat fell. So I just serged the seam and mocked it again.
FUN FACT! I was in TKMaxx recently and found a shirt made out of the exact fabric, different colors. I loved how soft it was and the shirt was really nicely made, but it was too narrow in the sleeves and chest. At that time I though it was too wide in the shoulders, but they were probably going for the same look I was :)
Soon after the above picture was taken I found my fabric on myfabrics.co.uk. I wasn’t sure if I wanted to order it, as it was just weeks after ordering some other fabrics from them. And then, they contacted me! To ask if I wanted to make something out of their fabric. “Uhmmm, YES PLEASE! I want to make a shirt like the one that didn’t fit me. But better! With matching buttons“.
For all my moaning, this fabric is really great. It is a pain to sew, but what makes it so difficult to handle is making it a dream to wear. And this shirt was just meant to be.
Do you have any sewing coincidence stories? I hope they’re happy stories!
If you’ve had the patience to read all this, you might be happy to find that I have a myfabrics.co.uk voucher for you. You can use LIVINGROOM until the 19th of April to get a £10 discount for a minimum order value of £35.
I’ve been wanting to make my own leggings pattern for a long time now. I’m short and I have super slim ankles and drafting a leggings pattern is so quick and simple. I followed Maider’s instructions, thus the name. Her blog is in Basque and Spanish, but Google translate and her very detailed photos made this possible. :)
After sewing a test pair in a very thin red lycra, I made a few changes to the basic pattern:
– lowered the waistline by 1 cm
– used a yoga waistband instead of elastic
– added ankle cuffs
– and the most obvious – adding contrasting stripe to the sides with built in pockets Jalie style
The way the pattern is constructed makes the center side line to move to the back above the hips, so the contrasting panel is more on the back than on the sides.
For the next pair I angled the side seam to the front, and of course I overdone it. The plan was to have the pockets on the side of the hips, not in front like a gun holster.
But look at those matching red vinyls! Almost perfect!
I wish I read the reviews for the top before making it. Th t-shirt is too short, barely hits below my waist (and I’m short!), and the sleeve cuffs are so tight. My arms are not the slimmest though…
All my leggings have a high waist, so I will be wearing the shirt anyway, but not with the matching leggings. They look too much like pyjamas together.
The navy, giraffe and vinyl fabrics are from FunkiFabrics. I gave in and bought some after seeing Dawn’s prism leggings – I have some of that fabric too! And did you see the cool print she used for a dress recently? I wouldn’t wear this fabric for day wear though.
P.S. I was hoping to show you my January Burda challenge make but I didn’t manage to rescue the fabric. Here it is before I chopped it to pieces.
This simple top must be the most controversial piece of clothing I have ever made. I have never heard so many comments about something I was wearing. Most of them were “Oh, your top is so shiny!”. I think this is due to the fact that I never ever wear shiny things AND the artificial light in the office makes it look shinier than it actually is.
Even my husband said I look like this
But I definitely think I look more like this
This is my second WhiteTree project and this time I chose this metallic copper jersey and Vogue 8636. I kinda went with view D, but removed the darts in the sleeves and neckband. There were supposed to be two 1/2 inch darts in the band, but I removed one inch from the width of the band hoping that by stretching the smaller band in the neck opening I could leave out the darts. Well, the band was too wide for this to work, and I really looked more like Zlad than Bowie. I don’t believe in ripping seams in soft knit, so removing the band wasn’t an option. I fold it back to the inside, overlapping the edge to the initial seam and top stitched. It looks good, like a proper neckband should look like :)
I usually use size 12 with Vogue, but this time 12 looked rather small. I compared the pattern with a top I had and decied to go with 12 for neck and armholes and 14 everywhere else. I top stitched most seams in an attempt to bring this sparkly top into day wear.
I love this blue door I found today very close to my office. I might make it my standard backdrop, as long as the people living there will let me. I didn’t meet them today, but there were a lot of people walking around smiling, I couldn’t help but to smile back. I have the blog for too long now to get shy when people stare at me. :)
This was my face when an old lady on a bike passed by waving
Shiny is not always bad, is it?
*You can use the code LIVING ROOM at check out for 20% off and free delivery. One thing I noticed when I used it (I was buying some accessories) is that the discount is applied before VAT.
It’s been a little over a year since I moved to London and a little less since I started buying fabric and patterns here. I have developed quite a large stash since then, there’s a lot of fabric hidden in dark cupboards, cardboard boxes and the bottom of my wardrobe. I have a high stack of sewing magazines (mostly Burda) and a big drawer of patterns. I won’t have time to use all the fabrics and patterns I have in the next year, but I still kept buying. During the holidays I spent quite a lot of time browsing on-line shops and I bough more fabric and patterns. I love so many of them, and I’m sure I have enough love to give to even more fabric and patterns, but I’m not treating them well by stuffing them in dark places.
Soooo, I decided to stop buying more for at least 6 months. The only exceptions will be interfacing, zips, etc and the occasional Burda. Oh, and I’ve already subscribed to Sew Magazine, so I will get that every month too.
These are the last two pieces of fabrics I bought from myfabrics.co.uk. The fabric came from Germany, but I think they have an office in UK. The spotty one is a boiled wool and the spots are actually blue. I am looking for a fitted blazer pattern in my stash, I’m sure I have something to use it for. The yellow check is a poly remnant, 0.8m. I think I will make a sleeveless shift dress out of it.
Before or around Christmas I bought this from Textile express fabrics. Waterproof poly cotton (Burberry apparently) and seersucker. I’m going to use those stripes for a v-neck dress with a center front seam.
The weekend after Christmas I went to Walthamstow, hoping to meet The man outside Sainsbury’s and find this beautiful jacquard Karen used months ago. He wasn’t there, but all the shops were open, so I didn’t come home empty handed. The wool check is from Saeed fabric, only 5/meter. They also had boiled wool and it was 50% cheaper than what I paid for the spotty one. Their wool didn’t have spots, but they had plenty of colors to choose from.
I bought this raw silk for Pauline Alice’s Quart coat. I had to buy 10 meters because I couldn’t find any in smaller quantities. I’m going to try and dye 3 meters a darker green. If it doesn’t work, I will still have 7 meters left.
Beautiful cashmere bought from The man outside Sainsbury’s 4 months ago. Not sure what to make with it.
I’ve only used 3 of the fabrics I got in Goldhawk Road at the the meet up.
And there’s plenty more hidden away that I don’t have photos of and probably don’t even remember I have. I’m going on a stash busting diet and it shouldn’t be hard considering the beauties I’ve hoarded.
What’s quilted, cozy and warm? A duvet is the first thing that comes to mind, but so is my dress. I bought the fabric 2 months ago, after seeing it on Karen‘s instagram. I love everything she makes – I recently bought the pattern she used here and I’m very sad I couldn’t get to Walthamstow since then to get some of that fabric too. I’m a bit of a fan girl, but I find her blog inspiring and very helpful – it all started with her instructions for the Butterick 5605 sleeve gusset.
Back to my dress, I started working on it at the same time I was making my purple Vogue, and I finished it shortly after finishing that one. It just took an eternity to take pictures.
I used the Tonic t-shirt (free!) and an older dress to make my pattern. I think I should’ve cut the neckline band a little longer, the neckline was a lot wider and there’s some dragging around that wasn’t there before I inserted the band.
I do most of my sewing late at night and things go wrong more often than they should. Sometimes they’re fixable, sometimes they’re not. This time I forgot to add hem allowances to the sleeves and didn’t do a sway back adjustment even though I knew I needed it. I hemmed the sleeves by turning them less than 1cm and they hit right above my wrist. It’s a not a problem, as I find myself rolling my sleeves up most of the times. The extra fabric in the back is there to stay though.
That’s it, short and sweet. I didn’t realized it’s been more than a month since I blogged, and I do have more to show you.
Until next time!
Old Romance was released in March and as soon as I saw it I wanted to make it. I bought the pattern, but as it usually happens, it got stuck in my knitting queue. Then at the end of July a Joji Fall knit along was announced and I decided to join. The cast on date was August 1st and we had 3 months to finish. That seamed reasonable and indeed I was able to finish on time.
Ignore the squinty eyes here
I bought the yarn on eBay, it’s a lambswool/silk mix, a little scratchy but not too bad. I can wear this cardigan a whole day without any problem. And it was a bargain at £3/100g. I recently bought some merino from the same shop and it’s very soft and nice.
Following the knit along, I discovered/remembered a few techniques. The first one is one that I used before, but forgot about it – twin stitch short rows, aka shadow wraps – they are invisible. I always had little holes when I used the wrap and turn method.
Next one is Russian grafting technique – joining live stitches with a crochet hook. It’s not invisible like kitchener, it looks like a lovely braid.
And the last one is this extra stretchy, no flare bind off for ribbing, continental (Lori’s twisty bind off). I knit continental, but a different variation than Lori – it’s called Eastern uncrossed. In this variation some stitches sit differently on the needle, like they are twisted. Long story short, I didn’t used this bind off because I was to lazy to “translate” the method from standard continental to Eastern uncrossed, and using it as it was resulted in a very un-stretchy ribbing. But I would like to try it at some point.
And since I was in the knitting fever, I also made two hats – one for me and one for the boy.